|
|
||||||||||||||
PLAYBOY.COM MUSIC REVIEW
RECENT REVIEWS
ARCHIVE
November 2008 October 2008 September 2008 August 2008 Loudon Wainwright III July 2008 June 2008 May 2008 April 2008 March 2008 The Presidents of the United States of America February 2008 January 2008 December 2007 November 2007 October 2007 September 2007 Broken Social Scene Presents: Kevin Drew August 2007 July 2007 June 2007 May 2007 April 2007 March 2007 February 2007 January 2007 December 2006 November 2006 ...And You Will Know Us By The Trail Of Dead October 2006 Working for a Nuclear Free City September 2006 Bobby Bare Jr.'s Young Criminal Starvation League August 2006 July 2006 June 2006 May 2006 April 2006 March 2006 Isobel Campbell & Mark Lanegan February 2006 January 2006 December 2005 November 2005 October 2005 September 2005 August 2005 July 2005 June 2005 May 2005 April 2005 March 2005 General Patton vs.the X-ecutioners February 2005 January 2005
The Walkmen
Audio Clip: "In the New Year" By now, the Walkmen’s sound is so recognizable it’s really something that they continue to surprise us. You & Me, the New York band’s fourth LP of original material, offers more of the same—vintage organs and guitars drenched in reverb, Hamilton Leithauser’s soaring vocals, Matt Barrick’s patient drum buildups—but it’s more of the same in the best sense of the term: familiar, yes, but so tried-and-true that you wouldn’t want it packaged any other way. Besides the sonic signatures, however, their latest comes off as a step forward, as Leithauser swaps the tales of boozy nights from 2004’s commercial breakthrough Bows + Arrows for more mature subjects like saying goodbye to your 20s and settling down. Furthermore, there isn’t an obvious single here like Everyone Who Pretended to Like Me Is Gone’s “We’ve Been Had” or Arrows’s “The Rat” and “Thinking of a Dream I Had.” The catchiest cuts, “In the New Year” and “Four Provinces,” do deliver on the Walkmen’s shimmering downstroke guitar cool, but it’s the subtler touches that tend to stand out, like the way horns gently color the two-chord verse on “Red Moon” or how Leithauser tenderly sings, “But maybe dreaming is all a man can do” on closer “If Only It Were True.” It might take 10 listens to realize it, but this is an absolute triumph. -- Tim Lowery |
|
© Playboy.com All rights reserved. Your California Privacy Rights |
|||||||||